"They used to tank cod from Alaska all the way to China.
They'd keep them in vats in the ship.
By the time the codfish reached China, the flesh was mush and tasteless.
So this guy came up with the idea that if you put these cods in these big vats,
put some catfish in with them
that the catfish will keep the cod agile.
And there are those people who are catfish in life.
And they keep you on your toes.
They keep you guessing,
they keep you thinking,
they keep you fresh.
And I thank god for the catfish
because we would be droll,
boring
and dull
if we didn't have somebody nipping at our fin."
- Vince Pierce
- Vince Pierce
Poetry? Perhaps. Scripted? Maybe. And that's why I like this "documentary," and chose it as a rare film that actually generates discussion. We don't have to like "Catfish" to have an opinion on it, and I think there are clear debate motions we can deduce.
I've now watched this film at least 4 times, on my own and with all three debate classes, and every time I've noticed something new that causes me to doubt the legitimacy of it. I think the filmmakers have performed some clever "sleight of hand" to magically manufacture what they claim as "100% true." Ironically, I think Angela might be the most "real" thing in this story. She was genuinely awkward, genuinely taken by surprise, and genuinely infatuated with Nev. But how real was Nev? Does this trailer do justice to the actual film, or simply mislead audiences to assume it would be "cyber horror"? Already, we can see this film walks an uneven path.
Nev, along with his brother and Henry, are filmmakers. Filmmakers make films - and this is something we have to keep in mind. In Catfish, we meet Nev as a good looking, charismatic guy in his early 20's, who has an interest in the arts. He lives in downtown New York, meets dancers on a regular basis, and probably has no problem attracting women in the real world. So why on line?
Supposedly, he falls in love with "Meg" through Facebook, and communicates with her by phone and internet for 8 months. She's only 19, lives in a small town on the other side of the country, and there really isn't much that SHOULD make this romance work. So my question - why pursue it? In my opinion, the answer is simple - so he could make a film, be invited to Cannes film festival, and rake in thousands of dollars. And all those things occurred (at least for the filmmakers).
Supposedly, he falls in love with "Meg" through Facebook, and communicates with her by phone and internet for 8 months. She's only 19, lives in a small town on the other side of the country, and there really isn't much that SHOULD make this romance work. So my question - why pursue it? In my opinion, the answer is simple - so he could make a film, be invited to Cannes film festival, and rake in thousands of dollars. And all those things occurred (at least for the filmmakers).
If not entirely fake, I think the film was "reverse engineered" - rationalized and/or staged to fit the criteria of a great story. It seems like a journey of illumination, when in fact it was always a hunt. A hunt to exploit an obvious imposter who really just wanted to make her life more interesting.
Some red flags that I don't think the filmmakers can explain: webcameras have been standard features on computers for more than a decade. Wouldn't it be natural for this couple to use one? Or at least a personal video from a camera? Furthermore, Angela doesn't strike me as that effective a writer. All her Facebook entities were too good to be true, and they all signed off from their messages similarly. They all sounded the same. Elaborate and creative - yes, but a genius liar? Not at all. I simply don't buy that Nev had no idea. I think he and his brother and Henry knew very well they were dealing with a fake, and they invited her to expand her story. It was never really a film to be made about Abby.
So I do think they crossed a line, and we can see that they, along with Universal Pictures, spent at least a couple of years hashing out the details - a long legal process of getting permission and tracking down the models Angela assembled in her story. Despite the potential damage this film might have caused Angela's family, we can assume that all would be forgiven in the name of financial opportunity for everyone involved. Clearly, Angela's art career has taken off a bit, as we can see from this YouTube video. It's weird, and I have no idea why these people made it the way they did (because they are weird to?), but Angela actually DOES appear in person near the end. Why Nev and "Megan" never exchanged this kind of thing is a big question mark for me:
To say the least, there is no shortage of discussion and intrigue for you to discuss in your next CR. Your first stop should be Wikipedia, followed by IMDB, and even Rotten Tomatoes. You can even visit Nev at Facebook, and see Angela's art site. YouTube has tons of follow up, and Angela was even on 20/20.
So, have some fun with this CR, and I'd like us all to debate this in class. Lot's to work with!
So, have some fun with this CR, and I'd like us all to debate this in class. Lot's to work with!
Nevertheless, this talk is quite unpersuasive - Blakley only talks on how social media is changing our lives; then show a statistic that women use social media more than man (which btw doesn't have anything to do with her suggestion that women are driving the "social revolution").
Bottomline: Blakley does little to defend her statement that social media will free us from assumptions about gender.
I gave this talk a thumbs down, because it was slightly incoherent. She loosely outlined some trends, which she interpreted a little poorly. For example, if women constitute 55% of the general population, they SHOULD comprise 55% of social networks. It doesn't demonstrate increased female influence. It just follows from the density of the population. She let her internal agenda color her conclusion.